Emigration and career in the West[edit]
The 1917 Russian Revolution meant the end of Russia as the composer had known it. Rachmaninoff was a member of the Russian bourgeoisie, and the Revolution led to the loss of his estate, his way of life, and his livelihood. On 22 December 1917, he left Petrograd for Helsinki with his wife and two daughters on an open sled, having only a few notebooks with sketches of his own compositions and two orchestral scores, his unfinished operaMonna Vanna and Nikolai Rimsky-Korsakov's opera The Golden Cockerel. He was 44 years old. He spent a year giving concerts in Scandinavia while laboring to widen his concert repertoire. Near the end of 1918, he received three offers of lucrative American contracts. Although he declined all three, he decided the United States might offer a solution to his financial concerns. He departed Kristiania (Oslo) for New York on 1 November 1918. Once there, Rachmaninoff quickly chose an agent, Charles Ellis, and accepted the gift of a piano from Steinway before playing 40 concerts in a four-month period. At the end of the 1919–20 season, he also signed a contract with the Victor Talking Machine Company. In 1921, the Rachmaninoffs bought a house in the United States, where they consciously recreated the atmosphere of Ivanovka, entertaining Russian guests, employing Russian servants, and observing old Russian customs.[37]
Due to his busy concert career, Rachmaninoff's output as composer slowed tremendously. In the 25 years between 1918 and his death in 1943, while living in the U.S. and Europe, he completed only six compositions. Aside from the need to tour and perform constantly to support himself and his family, the main reason was homesickness. It was during these years that he toured the United States as a concert pianist.[38] When he left Russia, it was as if he had left behind his inspiration. His revival as a composer became possible only after he had built himself a new home, Villa Senar onLake Lucerne, Switzerland, where he spent summers from 1932 to 1939. There, in the comfort of his own villa, which reminded him of his old family estate, Rachmaninoff composed the Rhapsody on a Theme of Paganini, one of his best known works, in 1934. He went on to compose his SymphonyNo. 3 (Op. 44, 1935–36) and the Symphonic Dances (Op. 45, 1940), his last completed work. Eugene Ormandy and the Philadelphia Orchestra premiered the Symphonic Dances in 1941 at the Academy of Music.
In December 1939 he conducted the Philadelphia Orchestra. This was the first time he had stood on a conductor's podium since January 1917, his last appearance as a conductor in Russia.[39]
In late 1940 or 1941 he was approached by the makers of the British film Dangerous Moonlight to write a short concerto-like piece for use in the film, but he declined. The job went to Richard Addinsell and the orchestrator Roy Douglas, who came up with the Warsaw Concerto.[40]
Sergei Rachmaninoff was also on the Board of Directors for the Tolstoy Foundation Center in Valley Cottage, New York.
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