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Ingrid Bergman
From Wikipedia, the free encyclopedia
Not to be confused with Ingmar Bergman's last wife, Ingrid von Rosen.
| Ingrid Bergman | |
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| Born | 29 August 1915 Stockholm, Sweden |
| Died | 29 August 1982 (aged 67) London, United Kingdom |
| Cause of death | Breast cancer |
| Occupation | Actress |
| Years active | 1932–82 |
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| Children |
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Ingrid Bergman (Swedish pronunciation: [ˈɪŋːrɪd ˈbærjman]; 29 August 1915 – 29 August 1982) was a Swedish actress who starred in a variety of European and American films.[2] She won three Academy Awards, two Emmy Awards, four Golden Globe Awards, a BAFTA Award, and the Tony Award for Best Actress. She is best remembered for her roles as Ilsa Lund in Casablanca (1942) and as Alicia Huberman in Notorious (1946), an Alfred Hitchcock thriller starring Cary Grant and Claude Rains.[3]
Before becoming a star in American films, Bergman had been a leading actress in Swedish films. Her introduction to American audiences came with her starring role in the English-language remake of Intermezzo (1939). At her insistence, producer David O. Selznick agreed not to sign her to a contract – for four films rather than the then-standard seven-year period, also at her insistence – until after Intermezzo had been released.
Selznick's financial problems meant that Bergman was often loaned to other studios. Apart from Casablanca, her performances from this period include Victor Fleming's remake of Dr. Jekyll and Mr. Hyde (1941), For Whom the Bell Tolls (1943), Gaslight (1944), and The Bells of St. Mary's (1945). Her last films for Selznick were Alfred Hitchcock's Spellbound (1945) and Notorious (1946). Her final film for Hitchcock was Under Capricorn (1949).[4]
After a decade in American films, she starred in Roberto Rossellini's Stromboli (1950), following the revelation that she was having an extramarital affair with the director. The affair and then marriage with Rossellini created a scandal in the US that forced her to remain in Europe for several years, when she made a successful Hollywood return in Anastasia (1956), for which she won her second Academy Award. Many of her personal and film documents can be seen in the Wesleyan University Cinema Archives.[5]
According to the St. James Encyclopedia of Popular Culture, Bergman quickly became "the ideal of American womanhood" and a contender for Hollywood's greatest leading actress.[6] In the United States, she is considered to have brought a "Nordic freshness and vitality" to the screen, along with exceptional beauty and intelligence; David O. Selznick once called her "the most completely conscientious actress" he had ever worked with. In 2007, the American Film Institute ranked Bergman as the fourth-greatest female screen legend of classic American cinema.
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