Between Curse and Snatcher, Wise directed Mademoiselle Fifi (1944), an adaptation of two Guy de Maupassant short stories that explored man's darker side with a political subtext.[32] Fifi's feminist perspective and a memorable chase sequence helped make it a "template picture for Wise".[33] Wise also directed film noir, among them the Lawrence Tierney noir classic Born to Kill (1947), and Blood on the Moon (1948), a noir Western starring Robert Mitchum as a cowboy drifter that included memorable night sequences.[34]
Wise's last film for RKO, The Set-Up (1949), was a realistic, well researched boxing movie in which Wise exposed the sport's cruel and exploitative nature.[35] The film also included choreographed fight scenes and "set the bar" for other fight films.[36] The film earned the Critic's Prize at the Cannes Film Festival.[37] Wise's use and mention of time in this film would echo in later noir films such as Stanley Kubrick's The Killing(1956) and Quentin Tarantino's Pulp Fiction (1994).[38][39]
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