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Anastasia (1997 film)

From Wikipedia, the free encyclopedia
Anastasia
Anastasia-don-bluth.jpg
Theatrical release poster
Directed byDon Bluth
Gary Goldman
Produced byDon Bluth
Gary Goldman
Written bySusan Gauthier
Bruce Graham
Bob Tzudiker
Noni White
Eric Tuchman
StarringMeg Ryan
John Cusack
Kelsey Grammer
Christopher Lloyd
Hank Azaria
Bernadette Peters
Angela Lansbury
Kirsten Dunst
Jim Cummings
Music byDavid Newman
Edited byBob Bender
Fiona Trayler
Production
company
Distributed by20th Century Fox
Release dates
  • November 14, 1997(New York City premiere)
  • November 21, 1997(United States)
Running time
94 minutes[1]
CountryUnited States
LanguageEnglish
Budget$50 million
Box office$139.8 million[2]
Anastasia is a 1997 American animated musical film produced by Fox Animation Studios and distributed by 20th Century Fox, directed by former Disney animation directors Don Bluth and Gary Goldman, and starring the voices of Meg Ryan, John Cusack, Kelsey Grammer, Christopher Lloyd, Hank Azaria, Bernadette Peters, Kirsten Dunst and Angela Lansbury. The film is an adaptation of the legend of Grand Duchess Anastasia Nikolaevna of Russia, which claims that she in fact escaped theexecution of her family. It tells the story of an eighteen-year-old orphan named Anya who, in hopes of finding some trace of her family, sides with a pair of con men who wish to take advantage of her likeness to the Grand Duchess.
The film premiered on November 14, 1997 in New York City, and was released on November 21, 1997 in the United States, and despite the objections of some historians to its fantastical retelling of the life of the Grand Duchess, enjoyed a positive reception from many critics. From a $50 million budget, the film grossed $139,804,348 worldwide, making Anastasia a box office success. The film also received nominations for several awards, including two Oscars for Best Original Song("Journey to the Past") and Best Original Musical or Comedy Score. It is the most profitable film from Don Bluth and Fox Animation Studios to date.
The success of Anastasia spawned various adaptations of the film into other media, including a direct-to-video spin-off film, a computer game,[3] books, toys, and an upcoming stage adaptation in 2016.[4][5]

Plot[edit]

In 1916, Tsar Nicholas II hosts a ball at the Catherine Palace to celebrate the Romanov tricentennial. His mother, the Dowager Empress Marie Feodorovna, is visiting from Paris and gives a music box and a necklace inscribed with the words “Together in Paris” as parting gifts to her youngest granddaughter, eight-year-old Grand Duchess Anastasia. The ball is suddenly interrupted by the sorcerer Grigori Rasputin, the former royal advisor of the Romanovs until he was banished by Nicholas II for treason. In retaliation, Rasputin sells his soul in exchange for an unholy reliquary, which he uses to place a curse on the Romanov family, sparking the Russian Revolution. Only Marie and Anastasia are able to escape the siege of the palace, thanks to a young servant boy named Dimitri, who shows them a secret passageway in Anastasia's room. Rasputin confronts the two royals outside, only to fall through the ice and freeze to death. The pair manage to reach a moving train, but only Marie climbs aboard while Anastasia falls, hitting her head on the platform and ending up with amnesia.
Ten years later, in 1926, Russia is under communist rule, and Marie has publicly offered 10 million rubles for the safe return of her granddaughter. Dimitri and his friend and partner Vladimir, thus search for a look-alike to bring to Paris and pass off as Anastasia so as to collect the reward from Marie. Elsewhere, Anastasia, now using the name "Anya", leaves the rural orphanage where she grew up, having lost her memory prior to arriving there. Accompanied by a stray puppy she names "Pooka", she turns down a job at a fish factory in favor of going to Saint Petersburg after her necklace inspires her to seek out her family in Paris. In the deserted palace she encounters Dimitri and Vladimir, who are impressed by her resemblance to the "real" Anastasia and decide to take her with them.
Bartok, Rasputin's albino bat minion is nearby and notices his master's dormant reliquary suddenly revived by Anastasia's presence; it drags him to limbo, where the soul of Rasputin survives. Enraged to hear that Anastasia escaped the curse, Rasputin sends demonic spirits from the reliquary to kill her; despite two assassination attempts, the trio manage to (unwittingly) foil him, forcing Rasputin and Bartok to travel back to the surface.
Anastasia, Dimitri and Vladimir eventually reach Paris and go to meet Marie, who refuses to see her, having been nearly fooled numerous times before by impostors. Despite this, Sophie—Marie's cousin—quizzes Anastasia to confirm her identity. Dimitri and Vladimir had taught Anastasia all the answers, but when Anastasia independently, though vaguely, recalls how a boy (namely Dimitri) saved her ten years ago, Dimitri realizes that she is the real "Grand Duchess", and later informs Vladimir at the Russian Ballet. Dimitri, however, insists they do not reveal this truth to Anastasia. Sophie, convinced as well, arranges for Anastasia to meet Marie after a Russian ballet. However, Marie wants nothing to do with Dimitri, having heard of him and his initial scheme to lie to her. Anastasia overhears that Dimitri was using her all along as part of his con to get Marie's money and she confronts him about it before she walks off. Dimitri manages to change Marie's mind by presenting her with Anastasia's music box, which he had found after their escape. Anastasia's memory returns upon meeting Marie, and grandmother and granddaughter are reunited at long last.
The next day, Marie offers Dimitri the reward money, but to her surprise he refuses it and leaves for Russia and thanks Anastasia for her return to her grandmother. That night, at Anastasia's return celebration, Marie informs her of Dimitri's gesture and leaves her to her thoughts. Anastasia then wanders through a garden and onto the Pont Alexandre III, where she is trapped and attacked by Rasputin. Dimitri returns to save her, but is injured and knocked unconscious. In the struggle, Anastasia manages to get hold of Rasputin's reliquary and crush it underfoot, destroying it. With Rasputin's soul having been tied to the reliquary, he promptly dies and disintegrates.
Afterwards, Dimitri and Anastasia reconcile after Anastasia finally discovers the truth about herself; they elope and Anastasia sends a farewell letter to Marie and Sophie, promising to return one day. The couple kisses on a riverboat and Bartok shares a kiss with a female bat before bidding the audience farewell.

Cast[edit]

J.K. Simmons and Lillias White are among the ensemble and character voices.

Production[edit]

Music[edit]

See also: Anastasia (soundtrack)
The film score was composed, co-orchestrated, and conducted by David Newman, whose father, Alfred Newman composed the score of the 1956 film of the same name.[7] The songs, of which "Journey to the Past" was nominated for the Academy Award for Best Original Song, were written by Lynn Ahrens and Stephen Flaherty.[8] The film's soundtrack was released in CD and audio cassette format on October 28, 1997.[9]

Reception[edit]

Critical response[edit]

Anastasia received a generally positive reception from critics. Review aggregator website Rotten Tomatoes gives the film a score of 86% based on 51 reviews. The website's consensus reads, "Beautiful animation, an affable take on Russian history, and strong voice performances make Anastasia a winning first film from Fox animation studios."[10] Roger Ebert of the Chicago Sun-Times awarded the film three-and-a-half out of four stars, writing, "The result is entertaining and sometimes exciting".[11] Margaret A. McGurk of The Cincinnati Enquirer described Anastasia as "charming" and "entertaining," concluding, "Anastasia serves up a tasty tale about a fairy-tale princess."[12] Lisa Osbourne of Boxoffice called the film "pure family entertainment."[13] Awarding the film three out of five stars, Empire's Philip Thomas wrote, "Historical inaccuracies aside, Anastasia manages to be a charming little movie".[14]
Several critics have drawn positive comparisons between Anastasia and films released by Walt Disney Feature Animation, noting similarities in their story and animation styles. Marjorie Baumgarten of The Austin Chronicle awarded the film three out of five stars. Likening its quality to that of a Disney animated film, Baumgarten wrote, "Anastasia...may not beat Disney at its own game, but it sure won't be for lack of trying." Baumgarten continued, "[t]his sumptuous-looking film clearly spared no expense in its visual rendering; its optical flourishes and attention to detail aim for the Disney gold standard and, for the most part, come pretty darn close."[15] The Phoenix's Jeffrey Gantz jokingly stated, "[i]f imitation is indeed the sincerest form of flattery, then the folks at Disney should feel royally complimented by Twentieth Century Fox's new animated feature about Tsar Nicholas II's youngest daughter."[16] Owen Gleiberman of Entertainment Weekly wrote, "Fox's challenge to the Disney empire is a beautifully animated musical". However, Gleiberman continued, "Anastasia has the Disney house style down cold, yet the magic is missing."[17]
Critical reception in Russia was also, for the most part, positive despite the artistic liberties that the film took with Russian history. Gemini Films, the Russian distributor of Anastasia, stressed the fact that the story was "not history", but rather "a fairy tale set against the background of real Russian events" in the film's Russian marketing campaign so that its Russian audience would not view Anastasia "as a historical film".[18] As a result, many Russians praised the film for its art and storytelling and saw it as "not so much a piece of history but another Western import to be consumed and enjoyed".[18]
Some Russian Orthodox Christians, on the other hand, found Anastasia to be an offensive depiction of the Grand Duchess, who was canonized as a new martyr in 1981 by the Russian Orthodox Church Outside Russia and a passion bearer in 2000 by the Russian Orthodox Church.[19] Many historians echoed their sentiments, criticizing the film as a "sanitized, sugar-coated reworking of the story of the Czar's youngest daughter."[20] While the filmmakers acknowledged the fact that "Anastasia uses history only as a starting point", others complained that the film would provide its audience with misleading facts about Russian history, which, according to the author and historian Suzanne Massie, "has been falsified for so many years."[21] Similarly, the amateur historian Bob Atchison said that Anastasia was akin to someone making a film in which "Anne Frank moves to Orlando and opens a crocodile farm with a guy named Mort."[21]
Some of Anastasia's contemporary relatives also felt that the film was distasteful, but most Romanovs have come to accept the "repeated exploitation of Anastasia's romantic tale ... with equanimity."[21]

Box office[edit]

A limited release of Anastasia at the Ziegfeld Theatre in New York City on the weekend of November 14, 1997 grossed $120,541.[22] The following week, the wide release of Anastasia in the United States made $14,104,933 (for an average of about $5,692 from 2,478 theaters), which placed it as the #2 film for the weekend of November 21–23, 1997. By the end of its theatrical run, Anastasia had grossed $58,406,347 in the North American box office and $81,398,001 internationally.[2] The worldwide gross totaled $139,804,348, making it Don Bluth's highest-grossing film to date.[23]

Adaptations[edit]

Anastasia On Ice was a licensed adaptation produced by Feld Entertainment's on ice unit that ran from at least 1998 to 1999.[24][25]

Spin-off[edit]

In 1999 a direct-to-video spin-off called Bartok the Magnificent was released which focused on the character of Bartok.

Accolades[edit]

Anastasia received the Broadcast Film Critics Association Award for Best Family Film[26] and was nominated for 7 others, including two Academy Awards in the categories of "Best Original Musical or Comedy Score" (lost to The Full Monty) and "Best Original Song" for "Journey to the Past" (lost to My Heart Will Go On from Titanic).[27][28] The R&B singer Aaliyah performed her pop single version of "Journey to the Past" at the70th Academy Awards.[29]
Awards
AwardDate of ceremonyCategoryRecipients and nomineesResult
Academy AwardsMarch 23, 1998Best Music, Original Song"Journey to the Past"
Music by Stephen Flaherty, Lyrics by Lynn Ahrens		Nominated
Best Music, Original Musical or Comedy ScoreLynn Ahrens, Stephen Flaherty, and David Newman
Annie AwardsNovember 13, 1998Best Animated Feature FilmAnastasia
Twentieth Century Fox, Fox Animation Studios
Outstanding Individual Achievement for Effects AnimationPeter Matheson
Outstanding Individual Achievement for Directing in an Animated Feature ProductionDon Bluth and Gary Goldman
Outstanding Individual Achievement for Music in an Animated Feature ProductionLynn Ahrens, Stephen Flaherty, and David Newman
Outstanding Individual Achievement for Producing in an Animated Feature ProductionDon Bluth and Gary Goldman
Outstanding Individual Achievement for Voice Acting by a Female Performer in an Animated Feature ProductionAngela Lansbury
For playing "Dowager Empress Marie Feodorovna".
Meg Ryan
For playing "Anastasia".
Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature ProductionHank Azaria
For playing "Bartok".		Won
Outstanding Individual Achievement for Writing in an Animated Feature ProductionAnimation Adaptation: Eric Tuchman
Screenplay: Susan Gauthier, Bruce Graham, Noni White, and Bob Tzudiker		Nominated
Blockbuster Entertainment AwardsMarch 10, 1998Favorite Animated Family MovieWon
Broadcast Film Critics Association AwardsJanuary 20, 1998Best Family Film
Golden Globe AwardsJanuary 18, 1998Best Music, Original Song"Journey to the Past"
Music by Stephen Flaherty, Lyrics by Lynn Ahrens		Nominated
"Once Upon a December"
Music by Stephen Flaherty, Lyrics by Lynn Ahrens
Kansas City Film Critics CircleDecember 19, 1997Best Animated FilmDon Bluth and Gary GoldmanWon

References[edit]

  1. Jump up^ "ANASTASIA (U)". British Board of Film Classification. 1997-12-05. Retrieved 2013-03-19.
  2. ^ Jump up to:a b "Anastasia (1997) - Box Office Mojo". Box Office Mojo. Retrieved 2009-09-21.
  3. Jump up^ "IGN: Anastasia: Adventures with Pooka and Bartok". IGN. Retrieved 2010-12-30.
  4. Jump up^ Chatter, Rialto (July 28, 2012). "Exclusive: Crawford, Barrett, Halston, Page Join Tveit, Lansbury, Lazar in ANASTASIA Reading!". Broadway World. Wisdom Digital Media. Retrieved 2012-07-01.
  5. Jump up^ "ANASTASIA Musical to Make World Premiere at Hartford Stage Next Summer; Darko Tresnjak to Direct!".Broadway World. Wisdom Digital Media. April 23, 2015. Retrieved 2015-04-24.
  6. Jump up^ Hill, Jim (19 September 2011). "Has Disney Been 'Lion' About Jeremy Irons' Singing Voice?". The Huffington Post. Retrieved 7 June 2013.
  7. Jump up^ "Newman". MTV. Retrieved 24 November 2012.
  8. Jump up^ "The Making of Anastasia: The Music of Anastasia". 20th Century Fox. Archived from the original on 1998-01-11. Retrieved 2010-12-30.
  9. Jump up^ "Anastasia (Atlantic) - Original Soundtrack". AllMusic. Retrieved 2010-12-30.
  10. Jump up^ "Anastasia (1997)". Rotten Tomatoes. Flixster, Inc. Retrieved 10 May 2013.
  11. Jump up^ Ebert, Roger (November 21, 1997). "Anastasia". Roger Ebert. Ebert Digital LLC. Retrieved 10 May 2013.
  12. Jump up^ McGurk, Margaret. "Dancing around history". The Cincinnati Enquirer. news.cincinnati.com. Retrieved10 May 2013.
  13. Jump up^ Osborne, Lisa (November 14, 1997). "Anastasia". Boxoffice. Boxoffice Media, LLC. Retrieved 10 May 2013.
  14. Jump up^ Thomas, Philip. "Anastasia". Empire. Bauer Consumer Media. Retrieved 10 May 2013.
  15. Jump up^ Baumgarten, Marjorie (November 21, 1997). "Anastasia". The Austin Chronicle. Austin Chronicle Corp. Retrieved 10 May 2013.
  16. Jump up^ Gantz, Jeffrey (November 20, 1997). "Anastasia". The Phoenix. The Phoenix. Retrieved 10 May 2013.
  17. Jump up^ Gleiberman, Owen (Oct 27, 1997). "Anastasia (1997)". Entertainment Weekly. Entertainment Weekly Inc. Retrieved 10 May 2013.
  18. ^ Jump up to:a b Saffron, Ingra (March 19, 1998). "A Cartoon 'Anastasia' Charms a New Russia / Bolsheviks Get Written Out.". The Philadelphia Inquirer. p. A01.
  19. Jump up^ Mattingly, Terry (November 29, 1997). "Upset about Anastasia's movie portrayal". The Dallas Morning News. Retrieved 2012-08-09.
  20. Jump up^ Holden, Stephen (November 14, 1997). "FILM REVIEW; A Feeling We're Not in Russia Anymore". The New York Times. Archived from the original on 24 January 2011. Retrieved 2010-12-31.
  21. ^ Jump up to:a b c Goldberg, Carey (November 9, 1997). "After the Revolution, Comes 'Anastasia' the Cartoon". The New York Times. Retrieved 2010-12-31.
  22. Jump up^ Welkos, Robert W. (1997-11-18). "Moviegoers Track 'The Jackal'". The Los Angeles Times. Retrieved2012-06-07.
  23. Jump up^ "Don Bluth Movie Box Office Results". Box Office Mojo. Retrieved 2010-12-30.
  24. Jump up^
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